by mreichstadt | Apr 8, 2015 | Claviers-en
Ronald HAAS in APTOS. U.S.A. XX° s. Birdeye maple veneered furniture. Five octaves and two notes: F – g5. Length: 154,7cm Width: 48,3cm Height: 75cm. The Ronald Haas instruments were played for a lot of recording, as: Bach; Art of Fugue by Richard Troeper,...
by mreichstadt | Mar 21, 2015 | Claviers-en
Modèle “grand”, c.1880. Signed: “Le Mozart” on the keyboard lid. Rosewood veneered. Iron frame. Ivory and ebony keyboard. Five octaves: F.-f. (61 keys) Two stringed from F to f# 4th. octave. The last octave three stringed. According to...
by mreichstadt | Aug 15, 2014 | Claviers-en
NEAPOLITAN ORGAN, c. 1800. Typical model of the neapolitan making, attributed to COLOMEO from NAPLES. The mechanism and the pipes are original. Four stops: – The Principal 8 ft playing. – Octave 4 ft. – Quintadecima 2 ft. – Decima Nova 1-1/3...
by mreichstadt | Jul 9, 2014 | Claviers-en
ACCORDINA A. BOREL, PARIS, c. 1950 Patented by André BOREL and made by Paul BEUSCHER. stamped: “A. Borel, Bte S.G.D.G. / Paul Beuscher, 24 bd. Beaumarchais, PARIS 4°”. In its original case. Keyboard G...
by mreichstadt | Mar 8, 2014 | Claviers-en
A PYRAMID PIANO. VIENNA, c. 1820. Cherry plated furniture, with green fabric.Original mechanism. Keyboard with 40 ebony naturals and 28 accidentals bone plated.5 octaves 1/2: F1 – C6No restored.Length: 113,3cm.Width: 52,8cm.Height:...
by mreichstadt | Mar 8, 2014 | Claviers-en
A POSITIVE ORGAN. FRANCE, c. 1900. Oak furniture in the Rennaissance style.Older pipes. Manual bellows later electrified.One flute stop and a half nazard.Two wooden drones.3 octaves and half manual. (F – G)25 ivory naturals and 16 ebony accidentals. Height (big...
