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 <\/p>\n

LUTH CEREMONIEL, SGRA-SNYAN<\/p>\n

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TIBET<\/p>\n

On sait peu de choses sur ce type de luth vraisemblablement li\u00e9 \u00e0 des processions religieuses. Les quelques instruments r\u00e9pertori\u00e9s pr\u00e9sentent des formes vari\u00e9es, (comme le sont les diff\u00e9rents mod\u00e8les de sgra-snyan des Himalaya) mais avec d\u2019\u00e9videntes similitudes de facture et de mat\u00e9riaux. Les pi\u00e8ces de bois massives recouvertes de laiton, les perles de verre bleues et rouges, le cordier \u00e0 t\u00eate de cheval etc\u2026<\/p>\n

La description qu\u2019en donne Mireille Helffer (1) r\u00e9sume parfaitement l\u2019\u00e9tat des connaissances \u00e0 propos de cet instrument.<\/p>\n

\u00ab\u00a0Il reste \u00e0 mentionner de somptueux luths \u00e0 caisse enti\u00e8rement ench\u00e2ss\u00e9e dans du m\u00e9tal, avec des d\u00e9corations de turquoises et de coraux\u00a0; ces instruments ont en commun d\u2019\u00eatre absolument inaptes \u00e0 un emploi musical et semblent destin\u00e9s \u00e0 jouer un r\u00f4le de figuration. Les uns pr\u00e9sentent une caisse \u00e9chancr\u00e9e et un cheviller en forme de t\u00eate de cheval (Guimet MA 2237\u00a0: luth \u00e0 six cordes\u00a0; Horniman Museum, n\u00b0 inconnu\u00a0; National Museum \u00e0 New Delhi, n\u00b0 inconnu, Victoria and Albert Museum 198-1937) et s\u2019apparentent \u00e0 des\u00a0sgra-snyan\u00a0; d\u2019autres, \u00e0 caisse piriforme, pourvus de cinq cordes, semblent plus proches des\u00a0pi-p\u2019a\/biwa\u00a0(Victoria and Albert Museum\u00a0: IM 3-1938, L. 76,2 cm). On peut se demander si de tels instruments n\u2019\u00e9taient pas destin\u00e9s \u00e0 prendre place dans les bras d\u2019une statue de grande taille, ou encore \u00e0 \u00eatre port\u00e9s durant les processions solennelles qui avaient jadis lieu \u00e0 Lhasa au moment du nouvel an. Certains auteurs vont m\u00eame jusqu\u2019\u00e0 affirmer qu\u2019un instrument de ce type, apport\u00e9 au Tibet par l\u2019\u00e9pouse chinoise de Srong-btsan sgam-po, aurait \u00e9t\u00e9 conserv\u00e9 dans le\u00a0Jo-khang\u00a0\u00e0 Lhasa (Liui and Kiggel 1988\u00a0: 87\/pl. 553-554).\u00a0\u00bb<\/em><\/p>\n

Longueur\u00a0: \u00a072cm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Largeur\u00a0:17cm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hauteur de caisse\u00a0:9,5cm<\/p>\n

Nb\u00a0:Quelques morceaux de laiton disparus ont \u00e9t\u00e9 remplac\u00e9s ainsi que quelques perles. Des cordes et un chevalet ont \u00e9t\u00e9 pos\u00e9s pour la pr\u00e9sentation.<\/em><\/p>\n

Bibliographie\u00a0:<\/p>\n

M. Heffner\u00a0: Mchod-rol. Les instruments de la musique tib\u00e9taine<\/em>. Paris 1994<\/p>\n

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  LUTH CEREMONIEL, SGRA-SNYANTIBET On sait peu de choses sur ce type de luth vraisemblablement li\u00e9 \u00e0 des processions religieuses. Les quelques instruments r\u00e9pertori\u00e9s pr\u00e9sentent des formes vari\u00e9es, (comme le sont les diff\u00e9rents mod\u00e8les de sgra-snyan des Himalaya) mais avec d\u2019\u00e9videntes similitudes de facture et de mat\u00e9riaux. Les pi\u00e8ces de bois massives recouvertes de laiton, […]<\/p>\n","protected":false},"author":1,"featured_media":14374,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19],"tags":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.renard-music.net\/wp-content\/uploads\/2023\/11\/IMG_4385-scaled.jpg","_links":{"self":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14598"}],"collection":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/comments?post=14598"}],"version-history":[{"count":4,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14598\/revisions"}],"predecessor-version":[{"id":15569,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14598\/revisions\/15569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media\/14374"}],"wp:attachment":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media?parent=14598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/categories?post=14598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/tags?post=14598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}