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 <\/p>\n

DOTAR \u00a0(Mod\u00e8le n\u00b01)<\/p>\n

[\/et_pb_text][et_pb_divider color=\u00a0\u00bb#fdb467″ divider_position=\u00a0\u00bbcenter\u00a0\u00bb divider_weight=\u00a0\u00bb3px\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ max_width=\u00a0\u00bb50px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbTimes New Roman||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#cccccc\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

IRAN, province du Khor\u00e0ss\u00e0n.<\/p>\n

Afghanistan, province d\u2019Herat. \u00a020^{\u00e8me<\/sup> s.<\/p>\n}

Ce luth \u00e0 long manche, est jou\u00e9 \u00e0 l\u2019est du Khorr\u00e0ss\u00e0n iranien et plus particuli\u00e8rement autour de la ville de Torbat-e-J\u00e0m, (1)<\/p>\n

La caisse de r\u00e9sonance, de facture classique, creus\u00e9e dans un bloc de murier, est caract\u00e9ris\u00e9e notamment par une nervure centrale qui longe le dos de l\u2019instrument.<\/p>\n

La table en murier est perc\u00e9e de petits trous d\u00e9limitant des figures g\u00e9om\u00e9triques, et bord\u00e9e sur son pourtour d\u2019un filet en os.<\/p>\n

Le d\u00e9cor en placage d\u2019os sur la touche et au talon du manche est \u00e9galement typique de cette facture r\u00e9gionale.<\/p>\n

Trois cordes m\u00e9talliques.<\/p>\n

L\u2019influence de la musique populaire afghane, a entrain\u00e9 une \u00e9volution de ce type de dotar, de l\u2019autre c\u00f4t\u00e9 de la fronti\u00e8re, dans les environs de Herat \u00e0 l\u2019Ouest de l\u2019Afghanistan. Elle s\u2019est caract\u00e9ris\u00e9e notamment par une augmentation de la taille de l\u2019instrument et l\u2019ajout d\u2019une troisi\u00e8me corde, des frettes suppl\u00e9mentaires et m\u00eame parfois des cordes sympathiques. \u00a0(voir le dotar harati, plus haut.)<\/p>\n

Longueur\u00a0: 109,5 cm.\u00a0\u00a0\u00a0 Largeur\u00a0: 17,2cm.\u00a0\u00a0 Profondeur\u00a0: 16,8cm.<\/p>\n

Mat\u00e9riaux\u00a0: Murier, bois fruitier (abricotier), os, nacre\u2026<\/p>\n

(1) Jean During : \u00ab T 2, p.122) \u201cthe Grove dictionary of Musical Instruments\u201d Laurence Libin: Editor in Chief . T.2, pp. 122\u2026 Oxford University Press 2014.<\/span><\/p>\n

Bibliographie: Jean During: \u201cThe dot\u00e2r family in Central Asia. Organological and musicological survey,\u201d Porte Akademik. Organoloji sayasi, Istanbul, 2012.<\/p>\n

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  DOTAR \u00a0(Mod\u00e8le n\u00b01)IRAN, province du Khor\u00e0ss\u00e0n. Afghanistan, province d\u2019Herat. \u00a020\u00e8me s. Ce luth \u00e0 long manche, est jou\u00e9 \u00e0 l\u2019est du Khorr\u00e0ss\u00e0n iranien et plus particuli\u00e8rement autour de la ville de Torbat-e-J\u00e0m, (1) La caisse de r\u00e9sonance, de facture classique, creus\u00e9e dans un bloc de murier, est caract\u00e9ris\u00e9e notamment par une nervure centrale qui […]<\/p>\n","protected":false},"author":1,"featured_media":14732,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19],"tags":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.renard-music.net\/wp-content\/uploads\/2023\/11\/IMG_4272-scaled.jpg","_links":{"self":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14521"}],"collection":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/comments?post=14521"}],"version-history":[{"count":4,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14521\/revisions"}],"predecessor-version":[{"id":15593,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14521\/revisions\/15593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media\/14732"}],"wp:attachment":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media?parent=14521"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/categories?post=14521"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/tags?post=14521"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}