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 <\/p>\n

IMZAD<\/p>\n

[\/et_pb_text][et_pb_divider color=\u00a0\u00bb#fdb467″ divider_position=\u00a0\u00bbcenter\u00a0\u00bb divider_weight=\u00a0\u00bb3px\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ max_width=\u00a0\u00bb50px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbTimes New Roman||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#cccccc\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Pays Touareg, XIX \u2013 XX\u00e8me si\u00e8cle.<\/p>\n

Vi\u00e8le Touareg monocorde dont la caisse de r\u00e9sonance est faite \u00e0 partir d\u2019une calebasse sur laquelle est tendue une peau de ch\u00e8vre. La corde est constitu\u00e9e d\u2019une m\u00e8che de crin de cheval, et l\u2019archer d\u2019une simple branche arqu\u00e9e. (le mot \u00ab\u00a0imzad\u00a0\u00bb signifie \u00ab\u00a0crin de cheval\u00a0\u00bb en langue Tamashek)<\/p>\n

L\u2019usage de l\u2019instrument est exclusivement r\u00e9serv\u00e9 aux femmes, avec lequel elles accompagnent traditionnellement les chants des hommes.<\/p>\n

Quasiment disparu il y a quelques ann\u00e9es, une campagne des services culturels alg\u00e9riens et nig\u00e9riens en ont favoris\u00e9 la reconstruction.
Le P\u00e8re de Foucauld le pr\u00e9sente comme \u00ab l\u2019instrument de musique favori, noble, \u00e9l\u00e9gant par excellence (\u2026), apr\u00e8s lequel on soupire quand on est loin du pays, dont il est comme le symbole et dont il rappelle toutes les douceurs \u00bb\u2026 (1)<\/p>\n

Figure embl\u00e9matique de la musique touar\u00e8gue, on trouve des t\u00e9moignages de son usage dans une partie importante de l\u2019Alg\u00e9rie, du Niger, du Mali, de m\u00eame qu\u2019en Libye et au Burkina Faso.<\/p>\n

Instruments typiquement nomades, fragiles, abandonn\u00e9s aussit\u00f4t qu\u2019il ne sont plus utilisables, les mod\u00e8les anciens d\u2019imzad sont rarissimes.<\/p>\n

Mat\u00e9riaux\u00a0: Calebasse, bois, crin, ficelle.<\/p>\n

Restaurations\u00a0: Une pi\u00e8ce a \u00e9t\u00e9 coll\u00e9e sous la peau qui \u00e9tait d\u00e9chir\u00e9e. Les lani\u00e8res de cuir servant \u00e0 tendre la peau, fus\u00e9es ou manquantes, ont \u00e9t\u00e9 rempac\u00e9es.<\/p>\n

Dimensions\u00a0: 69,7cm. x\u00a0 28,7cm x 17cm.<\/p>\n

Provenance\u00a0: Agence \u00e9conomique des colonies.<\/p>\n

\n
• In\u00a0: medecine-des-arts.com\/fr\/article\/imzad.php<\/li>\n<\/ul>\n

  Documentation\u00a0:<\/p>\n

  radiofrance.fr\/francemusique\/podcasts\/la-chronique-d-aliette-de-laleu\/la-musique-des-femmes-touaregues-6<\/p>\n

  www.afrisson.com\/l-imzad-7681\/<\/p>\n

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    IMZADPays Touareg, XIX \u2013 XX\u00e8me si\u00e8cle. Vi\u00e8le Touareg monocorde dont la caisse de r\u00e9sonance est faite \u00e0 partir d\u2019une calebasse sur laquelle est tendue une peau de ch\u00e8vre. La corde est constitu\u00e9e d\u2019une m\u00e8che de crin de cheval, et l\u2019archer d\u2019une simple branche arqu\u00e9e. (le mot \u00ab\u00a0imzad\u00a0\u00bb signifie \u00ab\u00a0crin de cheval\u00a0\u00bb en langue Tamashek) […]<\/p>\n","protected":false},"author":1,"featured_media":14718,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19],"tags":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.renard-music.net\/wp-content\/uploads\/2023\/11\/IMG_4253-scaled.jpg","_links":{"self":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14492"}],"collection":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/comments?post=14492"}],"version-history":[{"count":5,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14492\/revisions"}],"predecessor-version":[{"id":16131,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/14492\/revisions\/16131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media\/14718"}],"wp:attachment":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media?parent=14492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/categories?post=14492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/tags?post=14492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}