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 <\/p>\n

ORGUE NAPOLITAIN, vers 1800<\/p>\n

[\/et_pb_text][et_pb_divider color=\u00a0\u00bb#fdb467″ divider_position=\u00a0\u00bbcenter\u00a0\u00bb divider_weight=\u00a0\u00bb3px\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ max_width=\u00a0\u00bb50px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.22.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbTimes New Roman||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#cccccc\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Mod\u00e8le de huit pieds sonnant, attribu\u00e9 \u00e0 COLOMEO de NAPLES et construit dans la pure tradition napolitaine.<\/p>\n

Buffet en peuplier laqu\u00e9 vert, dont le soubassement contient le syst\u00e8me de soufflerie, tandis que la partie sup\u00e9rieure (Alzata) enserre le sommier, les tuyaux, le clavier et les transmissions.<\/p>\n

L’encadrement des tuyaux est compos\u00e9 d’un d\u00e9cor floral, avec corniche et pilastres cannel\u00e9s dor\u00e9s \u00e0 la feuille.<\/p>\n

La composition des jeux est la suivante:<\/p>\n

– Principal sonnant 8 pieds.<\/p>\n

– Octave 4 pieds.<\/p>\n

– Quintadecima 2 pieds.<\/p>\n

– Decima Nova 1 pied 1\/3.<\/p>\n

L’ensemble est dans son \u00e9tat harmonique d’origine avec en accessoire une \u00ab\u00a0Tira Ripieno\u00a0\u00bb. (accouplement des jeux)<\/p>\n

Les tuyaux de bois sont en ch\u00e2taignier pour les premi\u00e8res notes du jeu principal et de l’octave.<\/p>\n

Le sommier a \u00e9t\u00e9 restaur\u00e9.<\/p>\n

La soufflerie est compos\u00e9e actuellement d’un soufflet cun\u00e9iforme avec ventilateur.<\/p>\n

Le clavier est compos\u00e9 de marches plaqu\u00e9es d’os et poss\u00e8de une premi\u00e8re octave courte.<\/p>\n

La: 440hz.<\/p>\n

Les signatures des diff\u00e9rents harmonisateurs sont inscrites au fronton du clavier ainsi que la date des interventions.<\/p>\n

L’analyse et la restauration a minima de l’instrument ont \u00e9t\u00e9 confi\u00e9es \u00e0 Barth\u00e9l\u00e9my Formentelli \u00e0 V\u00e9rone.<\/p>\n

NB\u00a0: Ce type d\u2019orgue italien a conserv\u00e9 l\u2019essentiel de sa conception et de son esth\u00e9tique depuis le XVII\u00e8me si\u00e8cle, ce qui rend les instruments difficilement datables lorsqu\u2019ils ne sont pas sign\u00e9s. Dans le doute, et tenant compte de certains d\u00e9tails de construction, nous avons dat\u00e9 celui-ci \u00ab\u00a0autour de 1800\u00a0\u00bb, consid\u00e9rant qu\u2019\u00e0 une cinquantaine d\u2019ann\u00e9es pr\u00e8s il paraissait pr\u00e9somptueux d\u2019\u00eatre p\u00e9remptoire.<\/em><\/p>\n

Largeur: 104cm.<\/p>\n

Profondeur: 68,5cm.<\/p>\n

Hauteur: 239cm.<\/p>\n

\n

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  ORGUE NAPOLITAIN, vers 1800Mod\u00e8le de huit pieds sonnant, attribu\u00e9 \u00e0 COLOMEO de NAPLES et construit dans la pure tradition napolitaine. Buffet en peuplier laqu\u00e9 vert, dont le soubassement contient le syst\u00e8me de soufflerie, tandis que la partie sup\u00e9rieure (Alzata) enserre le sommier, les tuyaux, le clavier et les transmissions. L’encadrement des tuyaux est compos\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":13815,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15],"tags":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.renard-music.net\/wp-content\/uploads\/2023\/08\/ORGUE-NAPOLITAIN-vers-1800.png","_links":{"self":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/13809"}],"collection":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/comments?post=13809"}],"version-history":[{"count":5,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/13809\/revisions"}],"predecessor-version":[{"id":15702,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/13809\/revisions\/15702"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media\/13815"}],"wp:attachment":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media?parent=13809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/categories?post=13809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/tags?post=13809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}