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{"id":13454,"date":"2023-08-17T00:11:04","date_gmt":"2023-08-16T22:11:04","guid":{"rendered":"https:\/\/www.renard-music.net\/?p=13454"},"modified":"2023-12-10T20:21:14","modified_gmt":"2023-12-10T19:21:14","slug":"lute-by-bartolomeo-eberspacher-in-florence-17th-century","status":"publish","type":"post","link":"https:\/\/www.renard-music.net\/en\/2023\/08\/17\/lute-by-bartolomeo-eberspacher-in-florence-17th-century\/","title":{"rendered":"LUTE by Bartolom\u00e9o EBERSPACHER in FLORENCE, 17th century"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#000000″ width=\u00a0\u00bb100%\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||42px|||\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb border_width_bottom=\u00a0\u00bb1px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.22.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbTimes New Roman|700|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#cccccc\u00a0\u00bb text_font_size=\u00a0\u00bb22px\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

LUTE by Bartolom\u00e9o EBERSPACHER in FLORENCE, 17th century<\/p>\n

[\/et_pb_text][et_pb_divider color=\u00a0\u00bb#fdb467″ divider_position=\u00a0\u00bbcenter\u00a0\u00bb divider_weight=\u00a0\u00bb3px\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ max_width=\u00a0\u00bb50px\u00a0\u00bb custom_margin=\u00a0\u00bb0px||10px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_text _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbTimes New Roman||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#cccccc\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Originally from Germany and probably from the region of F\u00fcssen, where a \u00ab\u00a0numerus closus\u00a0\u00bb<\/em> framed the installation of musical instrument makers, B. Eberspacher emigrated to Italy like many of his colleagues.<\/p>\n

He opened his workshop in Florence and quickly became one of the most famous instrument makers in Tuscany.<\/p>\n

Labelled in the body: \u201cBartholomeo EBERSPACHER \/ in FIORENZA 1693\u201d<\/p>\n

The body made of 17 ribs edged with ebony fillets.<\/p>\n

The sesign of each rib goes on the neck until the pegbox. This one, ivory plated, is terminated with a scroll bearing the arms of the Medicis.<\/p>\n

The ebony fingerboard is edged with ivory fillets. Spruce soundboard, probably later, with the original carved rosette representing the head of the Marzocco.\u00a0 Five courses tuned with ten ebony pegs.<\/p>\n

This lute is preserved in its original case.<\/p>\n

Total length: 75cm.\u00a0 Soundboard length: 37,6cm.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.renard-music.net\/wp-content\/uploads\/2023\/12\/Luth-Eberspacher-1.jpg\u00a0\u00bb title_text=\u00a0\u00bbLuth Eberspacher 1″ show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb force_fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_text=\u00a0\u00bbRead more\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb module_class=\u00a0\u00bbbouton-ouverture\u00a0\u00bb _builder_version=\u00a0\u00bb4.22.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#cccccc\u00a0\u00bb custom_css_main_element=\u00a0\u00bbcursor:pointer;||width:100%;\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.22.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.22.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text module_class=\u00a0\u00bbtexte-cache\u00a0\u00bb _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#cccccc\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

The fingerboard is in ebony inlaid with ivory fillets.<\/p>\n

The back table is spruce. It retains the original rose window representing a lion, symbol of Florence.<\/p>\n

The five-course set is held together by ten ebony pegs, one of which has been replaced.<\/p>\n

The instrument has been kept in its original case.<\/p>\n

\n

Total length: 75cm.<\/p>\n

Table length: 37.6cm.<\/p>\n

Table width: 20.7cm.<\/p>\n

Scale: 54.4cm.<\/p>\n

\n

NB: A restoration report has been drawn up<\/em><\/p>\n

<\/em><\/p>\n

Bartolomeo Eberspacher is one of those German luthiers, most often coming from the Fussen region, and settled in Italy between the 16th and 17th centuries. It remains quite mysterious, given the lack of written documents mentioning it. In 1968, Luisa Cervelli (see bibliography) observes that we know of her work only the theorbo from the Heyer Collection, today in the Leipzig museum, (N\u00b0498, Kinsky catalog) taking up here the example of which Vannes reproduces the label in his dictionary. As for the name of Eberspacher, Giovanni Antonioni puts forward the hypothesis of a transformation of the name of Tieffenbrucker.<\/p>\n

Bibliographie: Luisa CERVELLI: \u00ab\u00a0Brief notes on German Luthiers active in Italy from the 16th to the 18th century\u00a0\u00bb; Analecta Musicologica, Graz, 1968.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Ren\u00e9 VANNES: \u00ab\u00a0Dictionnaire universel des luthiers\u00a0\u00bb; Les amis de la musique, Brussels, ed 1979.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Giovanni ANTONIONI: \u00ab\u00a0Dizionarion of plucked instrument makers in Italy\u00a0\u00bb; Turris publisher, Cremona, 1996<\/p>\n

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LUTE by Bartolom\u00e9o EBERSPACHER in FLORENCE, 17th centuryOriginally from Germany and probably from the region of F\u00fcssen, where a \u00ab\u00a0numerus closus\u00a0\u00bb framed the installation of musical instrument makers, B. Eberspacher emigrated to Italy like many of his colleagues. He opened his workshop in Florence and quickly became one of the most famous instrument makers in […]<\/p>\n","protected":false},"author":1,"featured_media":13450,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[14],"tags":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/www.renard-music.net\/wp-content\/uploads\/2023\/08\/LUTH-de-Bartolomeo-EBERSPACHER-a-FLORENCE-XVIIeme-siecle.png","_links":{"self":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/13454"}],"collection":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/comments?post=13454"}],"version-history":[{"count":8,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/13454\/revisions"}],"predecessor-version":[{"id":16123,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/posts\/13454\/revisions\/16123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media\/13450"}],"wp:attachment":[{"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/media?parent=13454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/categories?post=13454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.renard-music.net\/wp-json\/wp\/v2\/tags?post=13454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}